Artist  | Alice In Chains
Title   | Jar Of Flies / Sap

Genre   | Rock                                 Format  | 2 EP
Source  | CD                                   Time    | 51:39

Label   | Columbia Records                     Store   | 1994
Catalog | 475713 2                             Rip     | 2022

Bitrate | 852 kbps                             Size    | 332.50 MB
Freq    | 44.1 kHz                             Encoder | FLAC 1.3.1

CD 1/2

Jar Of Flies

01. Alice In Chains - Rotten Apple                              6:58
02. Alice In Chains - Nutshell                                  4:19
03. Alice In Chains - I Stay Away                               4:14
04. Alice In Chains - No Excuse                                 4:15
05. Alice In Chains - Whale And Wasp                            2:37
06. Alice In Chains - Don't Follow                              4:22
07. Alice In Chains - Swing On This                             4:05

CD 2/2

Sap

01. Alice In Chains - Brother                                   4:27
02. Alice In Chains - Got Me Wrong                              4:12
03. Alice Mudgarden - Right Turn                                3:17
04. Alice In Chains - I Am Inside                               5:09
05. Alice In Chains - Love Song                                 3:44

Alice In Chains both epitomized the solemn, heavy Seattle sound of the
1990s and stood apart from the grunge hordes. What separated Alice in
Chains from their alt-rock brethren was how their roots lay in heavy metal,
not punk.

Guitarist Jerry Cantrell and vocalist Layne Staley both played in metal
bands prior to the formation of Alice in Chains in 1987 and they released
the band's debut, Facelift, in 1990, well before Nirvana's Nevermind pushed
the underground into the mainstream.

Despite their connections to metal, Alice in Chains thrived in the glory
days of grunge, and it wasn't merely a question of timing, either. The
band's sensibility fit into the alternative rock zeitgeist of the early
'90s. Cantrell's gloomy, minor-key riffs were an ideal match for Staley's
tortured lyrics, creating a sound that felt as heavy as their Seattle
cohorts but also was slightly slicker and ready for radio. It was
versatile, too.