||  Artist......: Shaarimoth                                         ||
||  Album.......: Devildom                                           ||
||  Year........: 2024                                               ||

||  Genre.......: Death Metal                                        ||
||  Label.......: W.T.C. Productions                                 ||

||  Source......: FLAC/WEB (16bit)                                   ||
||  Encoder.....: Lavf60.3.100                                       ||
||  Bitrate.....: 833 kbps avg.                                      ||
||  F.Rate......: 44.1kHz                                            ||

||  Playtime....: 00:41:57 / 295.76MB                                ||
||  R.Date......: 2024-11-02                                         ||
||  S.Date......: 2024-10-31                                         ||
||  Website.....: https://open.qobuz.com/album/kzfkciekfcjfa         ||

||  01. Call to Prayer                                      2:58     ||
||  02. The Midnight Sentinel                               4:18     ||
||  03. Blood Covenant                                      5:37     ||
||  04. Into Everlasting Darkness                           0:49     ||
||  05. The Voiceless Call                                  6:42     ||
||  06. Apotheosis                                          1:18     ||
||  07. Blade of Malediction                                5:18     ||
||  08. The Impulse of Rebellion                            4:41     ||
||  09. When Blood Becomes Fire                             2:21     ||
||  10. For His Eyes of Judgement Are Forever Upon You      7:55     ||

||  Shaarimoth hails from Norway.                                    ||

||  Ritualistic Sumerian / Mesopotamian Death Metal.                 ||

||  A great mixture of NILE, MORBID ANGEL and MELECHESH.             ||

||  "To me, music is a powerful form of magic, connecting me to my   ||
||  highest goals. Yes, there is a cost, but the reward far exceeds  ||
||  any mundane expectations. The ultimate reward lies in            ||
||  connecting to something greater - a catalyst for change and a    ||
||  fulfilment that cannot be measured by record sales or ticket     ||
||  numbers. It's about the transformation that occurs within and    ||
||  the impact we can have on others, creating a ripple effect that  ||
||  transcends the physical realm."                                  ||

||  "The concept of 'evil' in 'Devildom' is far more complex than    ||
||  traditional views suggest. We reject the simplistic binaries of  ||
||  good and evil, recognizing them as reflections of shifting       ||
||  societal norms that have changed dramatically over time. What    ||
||  is seen as 'evil' today may have been celebrated in a different  ||
||  era, and we have moved beyond those narrow definitions. Moral    ||
||  law, a construct of humanity, seeks to uplift the weak against   ||
||  the powerful, yet throughout history, actual laws have often     ||
||  undermined this moral vision. In the end, morality is hard to    ||
||  define and can't be proven easily, it goes beyond clear          ||
||  judgments, leading us to reconsider what we believe."            ||

||  "I see no separation between magic and art. Ultimately, our      ||
||  exploration aims to open a nexion through which primordial       ||
||  energies can flow, and in the devil we find expression and       ||
||  manifestation of our darkest desires. We seek to channel         ||
||  ancient forces and connect with the primal energies that         ||
||  resonate with our higher selves, transcending our definitions    ||
||  of existence. It's not about a simplistic view of evil;          ||
||  instead, we celebrate a rich tapestry of spiritual and acosmic   ||
||  elements that shape our music and art. In this light,            ||
||  'Devildom' becomes a ritualistic expression that defies easy     ||
||  categorization, inviting listeners to reflect deeply on the      ||
||  nature of existence and the mysteries that lie beyond."          ||

||  "Is the day of reckoning approaching for humanity? The signs     ||
||  are unmistakable, and through our music, we attempt to usher in  ||
||  the inevitable. As we embrace the darkness, we do so not just    ||
||  as observers, but as participants and heralds of the hungry      ||
||  end."                                                            ||