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| Archived
files |
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Pluralsight Multi-pass Rendering with V-Ray and Maya\01.Why Multipass Rendering\0101.Module Intro - The Power of Multipass Renders.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\01.Why Multipass Rendering\0102.Basic Back to Beauty Compositing.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\01.Why Multipass Rendering\0103.Advanced Back to Beauty - Constructing the Lighting and GI from Raw Elements.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\01.Why Multipass Rendering\0104.Rebuilding the Reflections and Refractions from Raw Elements.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\01.Why Multipass Rendering\0105.The Difference between Linear and sRGB Renders.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\01.Why Multipass Rendering\0106.Problems Caused by Non-linear Elements.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\01.Why Multipass Rendering\0107.More Troubleshooting and The Denoise Pass.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\02.Rendering the Scene\0201.Module Intro and Setting up V-Ray.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\02.Rendering the Scene\0202.The V-Ray Frame Buffer.mp4
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22,344,435 |
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Pluralsight Multi-pass Rendering with V-Ray and Maya\02.Rendering the Scene\0203.Setting up Basic Beauty Passes.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\02.Rendering the Scene\0204.Setting up Raw Beauty Passes.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\02.Rendering the Scene\0205.Troubleshooting Renders.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\02.Rendering the Scene\0206.A Workflow for Atmospheric Effects.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\02.Rendering the Scene\0207.Module Summary.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\03.Mattes, Layers, Depth, and Motion Passes\0301.Intro to Mattes and Usage.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\03.Mattes, Layers, Depth, and Motion Passes\0302.Setting up and Rendering Material IDs.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\03.Mattes, Layers, Depth, and Motion Passes\0303.Object IDs and Multimattes.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\03.Mattes, Layers, Depth, and Motion Passes\0304.Rendering Cryptomattes in Maya and Installing Cryptomattes in Nuke.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\03.Mattes, Layers, Depth, and Motion Passes\0305.Using Cryptomattes in Comp.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\03.Mattes, Layers, Depth, and Motion Passes\0306.Z-Depth Part 1 - Rendering and Usage.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\03.Mattes, Layers, Depth, and Motion Passes\0307.The Depth Pass Part 2 - To Filter or Not to Filter.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\03.Mattes, Layers, Depth, and Motion Passes\0308.Creating and Ambient Occlusion Layer with V-Ray Dirt.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\03.Mattes, Layers, Depth, and Motion Passes\0309.The Velocity Pass, Motion Blur, and Module Summary.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\04.Relighting the Scene Using Render Elements\0401.Module Intro.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\04.Relighting the Scene Using Render Elements\0402.Demo Rendering Light Select Elements for Our Scene - Part 1.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\04.Relighting the Scene Using Render Elements\0403.Rendering Light Select Elements for Our Scene - Part 2.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\04.Relighting the Scene Using Render Elements\0404.Using Light Select Elements in Nuke.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\04.Relighting the Scene Using Render Elements\0405.Creating and Using Normals Passes.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\04.Relighting the Scene Using Render Elements\0406.Generating a pWorld Pass in VRay.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\04.Relighting the Scene Using Render Elements\0407.Exporting Camera Data as an Alembic from Maya.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\04.Relighting the Scene Using Render Elements\0408.Relighting in Nuke Using pWorld and Normals Passes.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\04.Relighting the Scene Using Render Elements\0409.Using pWorld and Normals Passes to Place 2D Elements in Nuke.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\04.Relighting the Scene Using Render Elements\0410.Summary.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\05.Summary Planning a Render Pipeline for Production\0501.Module Intro.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\05.Summary Planning a Render Pipeline for Production\0502.Final Compositing - A Dolly Shot.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\05.Summary Planning a Render Pipeline for Production\0503.Final Compositing - Relighting.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\05.Summary Planning a Render Pipeline for Production\0504.Final Compositing - Placing Smoke Elements and Faking Refractions.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\05.Summary Planning a Render Pipeline for Production\0505.The Power of Consistency - Two Shots for the Price of One.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\05.Summary Planning a Render Pipeline for Production\0506.Planning a Pipeline - The Cowgirl Campaign.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\05.Summary Planning a Render Pipeline for Production\0507.Compositing Our Cowgirl - Part 1.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\05.Summary Planning a Render Pipeline for Production\0508.Finishing Our Cowgirl Example Shots and Conclusion.mp4
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Pluralsight Multi-pass Rendering with V-Ray and Maya\Exercise Files\maya-vray-multi-pass-rendering.zip |
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