|
RAR-files |
| adsr-avpt51ssr.rar |
50,000,000 |
84872EEB |
| adsr-avpt51ssr.r00 |
50,000,000 |
FBF7710E |
| adsr-avpt51ssr.r01 |
50,000,000 |
804F3845 |
| adsr-avpt51ssr.r02 |
50,000,000 |
E724957B |
| adsr-avpt51ssr.r03 |
50,000,000 |
00A17123 |
| adsr-avpt51ssr.r04 |
50,000,000 |
20A43ECD |
| adsr-avpt51ssr.r05 |
50,000,000 |
383A0A4D |
| adsr-avpt51ssr.r06 |
50,000,000 |
C3AF2E5D |
| adsr-avpt51ssr.r07 |
50,000,000 |
5DA20903 |
| adsr-avpt51ssr.r08 |
50,000,000 |
394F989E |
| adsr-avpt51ssr.r09 |
50,000,000 |
053DE940 |
| adsr-avpt51ssr.r10 |
50,000,000 |
24C96B5C |
| adsr-avpt51ssr.r11 |
50,000,000 |
5172E1F3 |
| adsr-avpt51ssr.r12 |
50,000,000 |
F7B9B1D3 |
| adsr-avpt51ssr.r13 |
50,000,000 |
776B0881 |
| adsr-avpt51ssr.r14 |
50,000,000 |
67B4EAE0 |
| adsr-avpt51ssr.r15 |
50,000,000 |
EE11F1B5 |
| adsr-avpt51ssr.r16 |
50,000,000 |
0CD86E9C |
| adsr-avpt51ssr.r17 |
50,000,000 |
3AA98BE9 |
| adsr-avpt51ssr.r18 |
50,000,000 |
772BAE64 |
| adsr-avpt51ssr.r19 |
50,000,000 |
6293E3A3 |
| adsr-avpt51ssr.r20 |
50,000,000 |
C99F1D97 |
| adsr-avpt51ssr.r21 |
50,000,000 |
BEC2D1FD |
| adsr-avpt51ssr.r22 |
50,000,000 |
761757EA |
| adsr-avpt51ssr.r23 |
50,000,000 |
350A8F26 |
| adsr-avpt51ssr.r24 |
50,000,000 |
2E316818 |
| adsr-avpt51ssr.r25 |
50,000,000 |
7549CF5A |
| adsr-avpt51ssr.r26 |
50,000,000 |
6A8BCA4E |
| adsr-avpt51ssr.r27 |
50,000,000 |
F8FF94D7 |
| adsr-avpt51ssr.r28 |
50,000,000 |
5AC2389C |
| adsr-avpt51ssr.r29 |
50,000,000 |
A20858DD |
| adsr-avpt51ssr.r30 |
50,000,000 |
02866427 |
| adsr-avpt51ssr.r31 |
50,000,000 |
1C52F597 |
| adsr-avpt51ssr.r32 |
38,646,416 |
D92D4014 |
|
| Total size: |
1,688,646,416 |
|
|
| Archived
files |
|
2. Direct Input, Signal Levels and Impedance.mp4
[a233d37562ee3b7b]
|
46,321,746 |
BC89FAA3 |
|
3. Recording DI Electric Guitar.mp4
[b8a5619e1406d7f9]
|
11,730,682 |
7D5DCE13 |
|
4. Playlist Comping and Quick Punch.mp4
[3297872daed4caf5]
|
16,028,439 |
D23A7771 |
|
5. Eleven Amp Models.mp4
[21aec8ff631a7685]
|
20,062,236 |
C7B7E4CE |
|
6. Eleven Microphones Models.mp4
[bce59bd59dc8d9e0]
|
11,334,908 |
95EE2876 |
|
7. Avid Guitar Pedals - Time Based Effects.mp4
[7ad771cb1b7ba318]
|
23,408,526 |
D58EAD8E |
|
8. Avid Guitar Pedals - EQ, Compression, Distortion, Wah.mp4
[8110f06698bd70a3]
|
26,955,294 |
5E48C8E6 |
|
9. Recording and Comping DI Bass.mp4
[184014f60d998e6c]
|
23,323,413 |
F563D296 |
|
10. Eleven Bass Amp Models and Microphones.mp4
[a9aa968154bf675b]
|
12,308,538 |
E6B21952 |
|
11. Types of Microphones.mp4
[8c4321287a38e07b]
|
82,223,874 |
9A04F2BE |
|
12. Polar Response Patterns.mp4
[34a1e11904251ea1]
|
38,286,821 |
FE4C5C23 |
|
13. Dynamic Mic Shootout.mp4
[c885c2b46c9801aa]
|
308,617,526 |
B6C71284 |
|
13.Occurrence of Strong Beats.mp4
[3a632fc3fe3bbc3f]
|
30,199,433 |
D4009F87 |
|
14. Ribbon Mic Shootout.mp4
[adb761feb075a347]
|
205,177,056 |
B61AB6FA |
|
14.Memory Questions for section 4.mp4
[5953cdfbc1fac438]
|
1,507,135 |
AC5B6F8E |
|
15. Condenser Mic Shootout.mp4
[d70e003b2cd13c17]
|
241,248,130 |
FDB384D3 |
|
16. Mic Position and Axis.mp4
[157d1d796c117c3f]
|
78,303,976 |
76AE9DD9 |
|
17. Using Two or More Mics, Phase Cancellation.mp4
[2b5a12e8ad37a8c7]
|
56,708,857 |
A3166AC4 |
|
18. Guitar Tracking Session.mp4
[aea5da66bca685e2]
|
13,669,254 |
1C31FE27 |
|
19. Mic Shootout for Bass.mp4
[4d293f8251415960]
|
49,547,522 |
9E2D3CC5 |
|
20. Bass Tracking Session.mp4
[4f1b32315f6f3f9e]
|
20,983,701 |
7C11DABB |
|
21. What is Reamping.mp4
[e266ba92b9fcae16]
|
31,238,049 |
06302272 |
|
22. Reamping Setup and Signal Flow in Pro Tools.mp4
[b2915c0bd9dc9b2f]
|
12,184,427 |
725AA393 |
|
23. Basics of Acoustic Guitar Recording.mp4
[680ec07c5e9627d8]
|
100,478,716 |
C710D5F6 |
|
24. Stereo Miking Techniques.mp4
[691a21dd203beeb0]
|
98,853,685 |
E09885C1 |
|
25. Mixing Double Tracked Stereo Takes.mp4
[a2db0a64e9969ceb]
|
16,753,526 |
7443330C |
|
1. Introduction.mp4
[fcb7ac2a30d2614]
|
62,119,772 |
76239CF3 |
|
| Total size: |
1,639,575,242 |
|
|
