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Archived
files |
2.Course Structure.mp4
[3f966b70d389027c]
|
21,016,023 |
F846768F |
3.Resources.mp4
[919b38432fc7a5b4]
|
9,271,032 |
65C5190F |
4.Scientific Pitch Notation.mp4
[931baaa6f761c383]
|
13,068,830 |
0E84A91F |
5.Quiz 1.mp4
[3b852ff060c5387c]
|
1,531,070 |
32AFB985 |
6.Construction & Sound Production (strings).mp4
[5bd8a4d451ff04d0]
|
1,792,133 |
F56D6B70 |
7.Bowing.mp4
[3b322f6a83762976]
|
43,283,079 |
8ACC2ACE |
8.Quiz 2.mp4
[82e11da70668668]
|
1,503,816 |
6E60E99F |
9.Violin.mp4
[3fe6bb50fb0d595a]
|
37,663,483 |
98B59122 |
10.Viola.mp4
[6f30a51eb2467e9e]
|
29,002,947 |
7DE0FF70 |
11.Cello.mp4
[3be3a9bd07aaaed6]
|
29,890,882 |
C803E71F |
12.Double Bass.mp4
[eafb4f8b13b414bb]
|
32,197,857 |
A0D1B29F |
13.Quiz 3.mp4
[e451ffcb5f08f8fd]
|
1,539,059 |
50F9EE82 |
14.Score Study and Listening Assignments (sec.3).mp4
[f40d166ce7e6c511]
|
1,954,158 |
8843DAB9 |
15.Vibrato (strings).mp4
[be090ba01478b976]
|
40,164,569 |
D1EC2942 |
16.Legato & Detache.mp4
[267fdc0f43b4314a]
|
14,782,623 |
84CE0CC9 |
17.Portato.mp4
[c244db3199c70be9]
|
6,815,623 |
B76808C4 |
18.Staccato & Spiccato.mp4
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|
19,297,077 |
788C7D78 |
19.Trills (strings).mp4
[f16cf941b560a4b7]
|
21,106,260 |
20EB28A6 |
20.Tremolos (strings).mp4
[5636bd11cd264ff8]
|
28,981,939 |
3586BD4A |
21.Special Bow Placements.mp4
[302ab7eff9bda56d]
|
22,622,667 |
6767BA2F |
22.Glissando (strings).mp4
[d6a57526dbcb1b8f]
|
18,324,444 |
08AC1DC3 |
23.Portamento.mp4
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|
12,347,660 |
D0C8FDC8 |
24.Col Legno.mp4
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|
22,307,219 |
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25.Mutes.mp4
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|
17,572,461 |
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26.Natural Harmonics.mp4
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1,546,544 |
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27.Artificial Harmonics.mp4
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|
47,093,686 |
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28.Pizzicato.mp4
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|
1,408,681 |
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29.Snap Pizzicato.mp4
[dfcf28c687f86110]
|
9,649,867 |
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30.Multiple Stops.mp4
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|
1,479,606 |
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31.Divisi.mp4
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|
1,371,903 |
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32.Bowed String Demonstrations.mp4
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|
1,906,366 |
364E66B6 |
33.Quiz 4.mp4
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|
1,541,224 |
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34.Score Study and Listening Assignments (sec.4).mp4
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|
1,953,760 |
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35.Writing Assignments (sec.4).mp4
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|
1,722,165 |
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36.Harp.mp4
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|
81,461,891 |
F10A4D66 |
37.Quiz 5.mp4
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|
1,521,539 |
27C6A0CA |
38.Harp Chords.mp4
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|
16,189,225 |
85118F70 |
39.Harp Glissando.mp4
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|
10,623,043 |
5E9CD4D2 |
40.Harp Trills.mp4
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|
6,060,465 |
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41.Harp Tremolos.mp4
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|
15,398,536 |
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42.Harp Harmonics.mp4
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|
42,620,062 |
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43.Harp Demonstration.mp4
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|
1,695,113 |
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44.Quiz 6.mp4
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1,540,919 |
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45.Score Study and Listening Assignments (sec.6).mp4
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1,932,712 |
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46.Writing Assignments (sec.6).mp4
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|
1,719,339 |
A62F80DC |
47.Woodwinds Construction & Sound Production.mp4
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|
1,788,309 |
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48.Transposition.mp4
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|
1,507,137 |
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49.Quiz 7.mp4
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|
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50.Flute.mp4
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|
26,026,695 |
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51.Piccolo.mp4
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20,313,670 |
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52.Oboe.mp4
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|
20,661,767 |
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53.English Horn.mp4
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|
18,697,338 |
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54.Clarinet.mp4
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|
27,953,485 |
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55.Bass Clarinet.mp4
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|
22,135,358 |
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56.Bassoon.mp4
[3acedee8b53032a2]
|
20,680,280 |
C44C2248 |
57.Contrabassoon.mp4
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|
23,843,640 |
0F5E032E |
58.Quiz 8.mp4
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|
1,551,705 |
522C4C6D |
59.Score Study & Listening Assignments (sec.8).mp4
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|
1,915,028 |
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60.Woodwind Vibrato.mp4
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|
12,998,339 |
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61.Woodwind Tonguing.mp4
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|
23,246,471 |
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62.Woodwind Flutter Tongue.mp4
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|
16,312,624 |
AB5824C3 |
63.Woodwind Trills.mp4
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|
29,978,014 |
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64.Woodwind Tremolos.mp4
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|
33,095,555 |
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65.Woodwind Glissando.mp4
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|
15,744,349 |
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66.Woodwind Mutes.mp4
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|
1,529,389 |
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67.Woodwind Demonstrations.mp4
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|
1,791,791 |
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68.Quiz 9.mp4
[edfcfe51d6cfd13]
|
1,489,337 |
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69.Score Study and Listening Assignments (sec.9).mp4
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|
1,934,297 |
2A3A680B |
70.Writing Assignments (sec.9).mp4
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|
1,777,198 |
27D7D22C |
71.Brass Construction & Sound Production.mp4
[d99bca30f1ca641f]
|
1,688,813 |
84D220D2 |
72.Quiz 10.mp4
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|
1,533,496 |
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73.Trumpet.mp4
[8f4b0260ad43b570]
|
35,714,612 |
A34BDC2E |
74.Horn.mp4
[605376f6745f7f28]
|
32,859,125 |
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75.Trombone.mp4
[b8ab20f0b1c8f93b]
|
35,509,235 |
2DE93FFB |
76.Tuba.mp4
[61e46e29a51010d2]
|
28,992,802 |
5493502C |
77.Quiz 11.mp4
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|
1,544,127 |
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78.Score Study & Listening Assignments (sec.11).mp4
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|
1,939,873 |
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79.Brass Vibrato.mp4
[8cd1622a366479c4]
|
12,663,933 |
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80.Brass Tonguing & Flutter Tongue.mp4
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|
24,294,134 |
02E65DFA |
81.Brass Trills & Tremolos.mp4
[77f330b70fef3989]
|
22,005,151 |
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82.Brass Glissando.mp4
[51bbc7000a0fd207]
|
15,294,170 |
869C2F31 |
83.Brass Mutes.mp4
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|
17,465,363 |
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84.Brass Demonstrations.mp4
[30158b13f05154fc]
|
1,767,930 |
FCA00E89 |
85.Quiz 12.mp4
[fb3fe65cc2da6c6a]
|
1,515,769 |
5BBB6BE7 |
86.Score Study and Listening Assignments (sec.12).mp4
[6bbefdc83e3b0a2]
|
1,935,362 |
129402D9 |
87.Writing Assignments (sec.12).mp4
[45b379735f32e746]
|
1,769,084 |
A52D2E60 |
88.Percussion Classifications.mp4
[506cc39390cc562a]
|
1,682,939 |
0838A153 |
89.Quiz 13.mp4
[693b841654fb69cc]
|
1,543,683 |
B3BDFCB1 |
90.Timpani.mp4
[38d4a4b818f41102]
|
69,501,649 |
93971C2D |
91.Xylophone.mp4
[a630f67053ec4d58]
|
47,439,037 |
C5BD11D2 |
92.Marimba.mp4
[e086412b8bc08d74]
|
44,073,660 |
F7578DEE |
93.Glockenspiel.mp4
[1cbf9da240cce4e4]
|
42,164,348 |
756D5C19 |
94.Vibraphone.mp4
[9bd5d0f5b946d3a0]
|
51,331,133 |
64F9C83C |
95.Tubular Bells.mp4
[63ccbe14b3809109]
|
47,155,593 |
8EF829A9 |
96.Quiz 14.mp4
[5ac88a2490275ab2]
|
1,541,939 |
93F3973B |
97.Score Study and Listening Assignments (sec.14).mp4
[d0f7d60ec3a981a6]
|
1,967,519 |
42767E10 |
98.Writing Assignments (sec.14).mp4
[8bd34ec9f020860c]
|
1,741,421 |
038CFBAF |
99.Snare Drum.mp4
[196d1bac118c3dd3]
|
49,755,206 |
DE119328 |
100.Bass Drum.mp4
[216c5ba9203f19b8]
|
24,210,038 |
FFD61122 |
101.Triangle.mp4
[b2a0f964e1d9f8dc]
|
22,432,535 |
BAA58CDB |
102.Cymbals.mp4
[e76d250f9bd82f9f]
|
33,183,835 |
C1749569 |
103.Tam-tam.mp4
[d3330caef547ea06]
|
47,652,707 |
76D097AE |
104.Tambourine.mp4
[d3cafb00f0669525]
|
27,251,882 |
E5D646E8 |
105.Percussion Demonstrations.mp4
[911283b1e601fba0]
|
1,781,464 |
92052682 |
106.Quiz 15.mp4
[f58492b571111dea]
|
1,507,842 |
57A2640A |
107.Score Study and Listening Assignments (sec.15).mp4
[aa0fe2dc4a8e8157]
|
1,959,146 |
EE25B7E5 |
108.Writing Assignments (sec.15).mp4
[f865692a60a48893]
|
1,758,579 |
2EEEB04D |
109.Intro to Keyboards.mp4
[3811e7b2319bfc81]
|
1,611,387 |
8FABB5F0 |
110.Piano.mp4
[4bc64742f1c809d3]
|
112,845,283 |
8A666F01 |
111.Celesta.mp4
[573c2a3fa95ebdab]
|
43,155,651 |
42666A29 |
112.Quiz 16.mp4
[90265e3471f743dd]
|
1,565,110 |
7B191B5E |
113.Score Study and Listening Assignments (sec.16).mp4
[9e19a00bc24533f3]
|
1,943,315 |
D98FF41B |
114.Writing Assignments (sec.16).mp4
[2885a971fbfef40f]
|
1,762,646 |
DDB17894 |
115.Preparing the Score.mp4
[edecd7daf1835920]
|
1,558,709 |
E2D27FC3 |
116.Quiz 17.mp4
[51172cf1a25ebcbb]
|
1,525,954 |
8B791559 |
117.Preparing the Parts.mp4
[9831a47a987a02d8]
|
1,578,080 |
765E39CE |
118.Quiz 18.mp4
[579d60551db9a4d]
|
1,542,428 |
E392AE74 |
119.Method for Proofing Score and Parts.mp4
[5963a77a95295cb1]
|
1,674,290 |
96A643F2 |
120.Doublings.mp4
[f0fb792a568b9924]
|
47,305,951 |
EDBDFE84 |
121.Doublings Within A Homophonic Texture.mp4
[d32015824336c55c]
|
44,022,993 |
66CC0B33 |
122.Doublings Within A Chord.mp4
[6bfcaeed05a249f5]
|
13,640,430 |
E8F7D782 |
123.Reasons for Doubling.mp4
[10c8cbc607b34185]
|
1,609,664 |
F49B5B54 |
124.Imbalance Due to Register.mp4
[8ce78dca133baef9]
|
11,663,604 |
AEB8A253 |
125.Imbalance Due to Dynamic Ability.mp4
[69c6fb28e0e844b0]
|
1,691,352 |
47934A70 |
126.Common Doublings & Instrument Combinations.mp4
[36f3b9478b406ef3]
|
1,781,618 |
A3FD1D26 |
127.Quiz 20.mp4
[5b2a6425adebb985]
|
1,555,849 |
B9E66CF5 |
128.Score Study and Listening Assignments (sec.20).mp4
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|
2,000,025 |
42F3559B |
129.Writing Assignments (sec.20).mp4
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|
1,730,508 |
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130.Monophonic Texture.mp4
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|
68,713,650 |
0096CE85 |
131.Homophonic Texture.mp4
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|
21,143,550 |
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132.Polyphonic Texture.mp4
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|
48,453,205 |
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133.Chordal Texture.mp4
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|
60,515,240 |
2407DD37 |
134.Complex Texture.mp4
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|
88,062,834 |
B3A3CF4C |
135.Quiz 21.mp4
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1,560,642 |
17A2070B |
136.Score Study and Listening Assignments (sec.21).mp4
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1,973,494 |
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137.Writing Assignments (sec.21).mp4
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1,735,403 |
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138.Spacing.mp4
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1,428,560 |
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139.Voicing.mp4
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|
18,090,845 |
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140.Chord Voicing for Woodwinds.mp4
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30,517,503 |
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141.Chord Voicing for Brass.mp4
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|
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142.Chord Voicing for Strings.mp4
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|
23,758,159 |
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143.Chords for Orchestra.mp4
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144.Quiz 22.mp4
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145.Score Study and Listening Assignments (sec.22).mp4
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146.Writing Assignments (sec.22).mp4
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1,766,907 |
7650EB7A |
147.Who Does What and for How Long.mp4
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1,842,430 |
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148.Section Playing Frequency.mp4
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55,953,520 |
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149.Section Tasks.mp4
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150.Instrument Playing Frequency.mp4
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151.Instrument Tasks.mp4
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152.Quiz 23.mp4
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1,522,913 |
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153.Score Study and Listening Assignments (sec.23).mp4
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1,950,957 |
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154.Writing Assignments (sec.23).mp4
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1,768,912 |
4C0DD1B8 |
155.Other Uses of Timbre and Texture.mp4
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1,743,103 |
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156.Doubling in the Harmonic Series.mp4
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35,173,757 |
819FBC68 |
157.Contrasting Dynamic Markings.mp4
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158.Adding and Subtracting Instruments.mp4
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1,691,048 |
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159.Punctuation.mp4
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160.Use of Vivid Timbre.mp4
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1,537,508 |
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161.Marking Dynamics.mp4
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1,563,702 |
20CC945C |
162.Pitch Distribution of Elements.mp4
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12,278,081 |
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163.Contrast Through Articulations.mp4
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20,070,765 |
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164.Contrast Through Antiphony.mp4
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24,081,411 |
233AAEC9 |
165.When to Use Octave Signs.mp4
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166.Variation of Pitch Distribution.mp4
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167.Dovetailing.mp4
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168.Double Bass with Cello.mp4
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169.Moving and Stationary Voices.mp4
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10,330,881 |
6D2BA8B8 |
170.Solo vs a 2.mp4
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171.Clarinet and Oboe.mp4
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16A5BA2C |
172.Brass Entrances.mp4
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173.Dissonance.mp4
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174.Instrumental Motion.mp4
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18,398,984 |
1E836A4A |
175.Making Things Easier for the Performers.mp4
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1,666,799 |
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176.Quiz 24.mp4
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177.Tips for Analyzing Scores and Recordings.mp4
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1,780,541 |
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178.Congratulations.mp4
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1,821,601 |
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Project\10.1 Brass Construction & Sound Production.pdf |
192,174 |
2783D5A6 |
Project\13.1 Percussion Classifications.pdf |
134,572 |
AE4273C4 |
Project\17. Preparing the Score.pdf |
651,745 |
950991D0 |
Project\18.1 Preparing the Parts.pdf |
317,709 |
E981BB33 |
Project\19.1 Method for Proofing Score and Parts.pdf |
134,228 |
66A6E6BE |
Project\2.1 Strings Construction & Sound Production.pdf |
178,269 |
EF0252C9 |
Project\20.4 Reasons for Doubling.pdf |
138,659 |
4CF4D832 |
Project\20.6 Imbalance Due to Dynamic Ability.pdf |
254,481 |
D788520C |
Project\20.7 Common Doublings & Instrument Combinations.pdf |
131,109 |
28006D63 |
Project\22.1 Spacing.pdf |
215,881 |
B5AFECFA |
Project\22.4 Chord Voicing for Brass.pdf |
129,242 |
D6E71D1B |
Project\22.6 Chords for Orchestra.pdf |
529,234 |
65EB3CE9 |
Project\23.1 Who Does What and for How Long.pdf |
128,613 |
45E61FCE |
Project\23.3 Section Tasks.pdf |
156,289 |
B7B0DB99 |
Project\23.5 Instrument Tasks.pdf |
185,164 |
A4997914 |
Project\24.1 Other Uses of Timbre & Texture.pdf |
144,622 |
7FCC6B50 |
Project\24.11 When to Use Octave Signs.pdf |
174,870 |
A58D7BF3 |
Project\24.12 Variation of Pitch Distribution.pdf |
143,500 |
3F441846 |
Project\24.16 Solo vs a 2.pdf |
131,593 |
9FD56465 |
Project\24.17 Clarinet and Oboe.pdf |
137,786 |
247C7CF1 |
Project\24.18 Brass Entrances.pdf |
141,462 |
0558D6E8 |
Project\24.21 Making Things Easier for the Performers.pdf |
180,614 |
C3548B04 |
Project\24.22 Tips For Analyzing Scores & Recordings.pdf |
153,600 |
74F74F08 |
Project\24.3 Contrasting Dynamic Markings.pdf |
140,353 |
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Project\24.4 Adding and Subtracting Instruments.pdf |
126,932 |
EF3A03F6 |
Project\24.6 Use of Vivid Timbre.pdf |
152,811 |
089DF5F0 |
Project\24.7 Marking Dynamics.pdf |
142,667 |
5B466497 |
Project\4.12 Natural Harmonics.pdf |
280,720 |
C4E99A9E |
Project\4.14 Pizzicato.pdf |
183,526 |
6DCC926D |
Project\4.16 Multiple Stops.pdf |
226,031 |
1500FB85 |
Project\4.17 Divisi.pdf |
176,820 |
06DD384B |
Project\7.1 Woodwind Construction & Sound Production.pdf |
160,260 |
94049463 |
Project\7.2 Transposition.pdf |
138,237 |
AC1EBC98 |
Project\9.7 Woodwind Mutes.pdf |
125,564 |
2C1E285B |
Project\Quizzes.pdf |
177,391 |
9671C28B |
Project\References\Chordal Texture_part writing_Mahler.pdf |
384,880 |
8ADB0B9C |
Project\References\Complex Texture_Bizet.pdf |
554,529 |
85C5ACAD |
Project\References\Complex Texture_Holst.pdf |
576,310 |
234B2228 |
Project\References\Harp Max Finger Distance.jpg |
109,668 |
90562C2F |
Project\References\Instrument Demonstrations.pdf |
65,755 |
50BDC6FC |
Project\References\Instrument Dynamic Capabilities.pdf |
395,056 |
23324B96 |
Project\References\Instrument Names & Abbreviations.pdf |
253,794 |
CF587DAB |
Project\References\Instrument Quick Reference.pdf |
178,443 |
A7A8EC13 |
Project\References\Instrument Sounding Ranges.pdf |
1,029,951 |
7549DFEC |
Project\References\Instrument Transpositions.pdf |
197,825 |
72FA62BC |
Project\References\Keyboard Average Maximum Stretches.jpg |
133,519 |
81BC595F |
Project\References\Monophonic Texture_Octaves_Puccini.pdf |
5,336,095 |
9DAE5811 |
Project\References\Monophonic Texture_Unison_Bizet.pdf |
17,463 |
E2B1C74E |
Project\References\Polyphonic Texture__imitative_Saint Seans.pdf |
516,790 |
08805597 |
Project\References\String Ranges.pdf |
83,759 |
D1335465 |
Project\References\Suggested Scores for Study.pdf |
191,508 |
F8813DE8 |
Project\References\Tenor Trombone_Slide Positions.pdf |
2,846,477 |
982F8BB8 |
Project\Score Study & Listening Assignments.pdf |
219,421 |
3B08E2A4 |
Project\Writing Assignments.pdf |
145,217 |
58258419 |
1.Course Promo.mp4
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Project\References |
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Project |
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