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RAR-files |
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50,000,000 |
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| linkedin.learning.2d.animation.tips.and.tricks.update.2019.06.25-apollo.r05 |
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| linkedin.learning.2d.animation.tips.and.tricks.update.2019.06.25-apollo.r12 |
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| linkedin.learning.2d.animation.tips.and.tricks.update.2019.06.25-apollo.r13 |
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| Total size: |
1,856,867,551 |
|
|
| Archived
files |
|
001. Pose-to-pose animation - 233s.mp4 |
13,137,073 |
63E6BFAE |
|
002. Welcome - 78s.mp4 |
26,400,367 |
EC887975 |
|
003. Loosen the joints - 150s.mp4 |
9,288,427 |
009D1F0E |
|
004. Loosen the body - 361s.mp4 |
25,645,982 |
BDB6C744 |
|
005. To twin or not to twin - 366s.mp4 |
15,814,180 |
98DE1C09 |
|
006. Head articulation - 314s.mp4 |
19,427,803 |
254CA36F |
|
007. Physics - Falling - 273s.mp4 |
11,661,669 |
0F4AD872 |
|
008. Creating staggers - 392s.mp4 |
21,529,740 |
BFEBEF48 |
|
009. Cartoony male mouth shapes - 329s.mp4 |
15,842,891 |
82631B76 |
|
010. Realistic male mouth shapes - 212s.mp4 |
16,480,276 |
49B40955 |
|
011. Pose-to-pose wipes - 271s.mp4 |
9,769,643 |
340CFF2C |
|
012. Zipping off screen - 238s.mp4 |
13,866,352 |
F8F5B770 |
|
013. Cartoony female mouth shapes - 361s.mp4 |
15,683,839 |
A6E96999 |
|
014. Realistic female mouth shapes - 224s.mp4 |
9,893,581 |
3F967B23 |
|
015. Bird beaks - 297s.mp4 |
11,204,414 |
0E6F118E |
|
016. Stylized mouth shapes - 171s.mp4 |
8,022,922 |
8B2E7196 |
|
017. Elderly mouth shapes - 317s.mp4 |
11,780,487 |
E3BC0817 |
|
018. Breakdown basics turns - 188s.mp4 |
12,035,065 |
74B00417 |
|
019. Breakdown basics reactions - 366s.mp4 |
18,909,548 |
035EE8D5 |
|
020. Breakdown intermediate - 324s.mp4 |
14,824,679 |
139F9B74 |
|
021. Breakdown advanced - 416s.mp4 |
27,848,502 |
221BBACC |
|
022. Thumbnail basics - 296s.mp4 |
11,980,911 |
490BECD4 |
|
023. Thumbnail intermediate - 320s.mp4 |
14,966,902 |
ACD6A05D |
|
024. Thumbnail advanced - 327s.mp4 |
17,776,196 |
9A9EDF9C |
|
025. Fabric creases - 289s.mp4 |
13,921,596 |
79C7C146 |
|
026. Drag basics - 255s.mp4 |
13,945,092 |
FE4FB4C1 |
|
027. Capes - Basics - 288s.mp4 |
12,459,470 |
B687C7E0 |
|
028. Capes - Intermediate - 268s.mp4 |
13,490,650 |
596898E0 |
|
029. Capes - Advanced - 279s.mp4 |
13,557,367 |
EBE40B22 |
|
030. Flags - 258s.mp4 |
12,501,534 |
1113AF3A |
|
031. Dresses - 498s.mp4 |
22,124,120 |
4468A987 |
|
032. Flour sack - 265s.mp4 |
9,177,348 |
31B6F7EF |
|
033. Pantomime - 247s.mp4 |
9,433,649 |
CE62BEDE |
|
034. Pantomime advanced - 376s.mp4 |
18,569,766 |
44EA838E |
|
035. Object design - 466s.mp4 |
19,064,641 |
ECCD238F |
|
036. Objects Moving - 317s.mp4 |
15,453,446 |
2C615695 |
|
037. Hair Basics - 413s.mp4 |
19,642,415 |
E74E7042 |
|
038. Hair Intermediate - 256s.mp4 |
10,313,154 |
8A557203 |
|
039. Hair Advanced - 596s.mp4 |
28,310,012 |
48540134 |
|
040. Ball bounce - 75s.mp4 |
2,855,830 |
E27A72B9 |
|
041. Fast Bite - 201s.mp4 |
10,718,880 |
794C6CAD |
|
042. Wipes Blurs - 150s.mp4 |
7,308,418 |
661BBEE4 |
|
043. Morphs - 159s.mp4 |
7,720,941 |
36CB6815 |
|
044. Change expression - 241s.mp4 |
20,483,782 |
008A4D3A |
|
045. Timing basic - 106s.mp4 |
5,240,609 |
F3B97BDA |
|
046. Timing intermediate - 302s.mp4 |
13,550,311 |
BFAC01C3 |
|
047. Timing Advanced - 235s.mp4 |
15,732,086 |
39D5159D |
|
048. Texture Basic - 158s.mp4 |
9,155,414 |
A201290E |
|
049. Texture - advanced - 287s.mp4 |
20,837,489 |
DD04B826 |
|
050. Technical - 544s.mp4 |
18,279,460 |
4F631E2F |
|
051. Traditional animation process - 495s.mp4 |
43,238,970 |
F0456B09 |
|
052. Torque - 174s.mp4 |
7,507,492 |
C516FBEB |
|
053. Realistic construction - 258s.mp4 |
9,549,426 |
CD6E5230 |
|
054. Cartoony construction - 291s.mp4 |
10,087,644 |
4D106954 |
|
055. Eyeballs - cartoony - 582s.mp4 |
14,926,207 |
8F0AB871 |
|
056. Eyebrows - cartoony - 337s.mp4 |
10,436,810 |
AC86119D |
|
057. Eyeblinks - cartoony - 267s.mp4 |
7,817,532 |
B51DC44F |
|
058. Pupils - 275s.mp4 |
7,889,248 |
CECF703B |
|
059. Eyes - realistic - 298s.mp4 |
10,415,343 |
A1A67B51 |
|
060. Center mass - 162s.mp4 |
4,742,999 |
ECB5EB22 |
|
061. Crowds - 232s.mp4 |
23,222,511 |
3BCA6190 |
|
062. Overcoming fear - 263s.mp4 |
9,376,928 |
42A1F9D6 |
|
063. Overcoming mental blocks - 471s.mp4 |
15,332,583 |
673D1479 |
|
064. Breakthroughs - 494s.mp4 |
16,132,591 |
5046A84D |
|
065. Avoiding burnout - 377s.mp4 |
9,579,125 |
402D3DA7 |
|
066. The mystery of appeal - 243s.mp4 |
8,553,538 |
AAECBD4B |
|
067. The wheel of fortune - 405s.mp4 |
16,141,566 |
8BEF7E3A |
|
068. Relationships matter - 221s.mp4 |
8,384,664 |
E307CFAE |
|
069. Interpreting dreams - 365s.mp4 |
18,811,958 |
AE7E5598 |
|
070. Animating tails - 261s.mp4 |
18,475,659 |
9140CAEB |
|
071. Cheating transforms - 247s.mp4 |
17,693,349 |
A04501CD |
|
072. Model sheets - 308s.mp4 |
11,826,643 |
12D067A4 |
|
073. Moving Hold - 211s.mp4 |
14,294,911 |
C0399534 |
|
074. Moving Hold Advanced - 268s.mp4 |
18,467,019 |
9CE89C73 |
|
075. Jumping with a push - 274s.mp4 |
17,579,206 |
8FB94683 |
|
076. Push objects - 146s.mp4 |
6,938,828 |
5AD5BC2B |
|
077. Coughing - 188s.mp4 |
9,907,291 |
389D0532 |
|
078. Snoring - 356s.mp4 |
15,141,852 |
3EBC929A |
|
079. Reaching - 138s.mp4 |
7,085,188 |
A49FB09E |
|
080. Old styles - 1920s rubber hose intro - 497s.mp4 |
31,941,563 |
7B9D6859 |
|
081. Old styles - 1920s rubber hose scene - 471s.mp4 |
22,544,825 |
9F243631 |
|
082. Old styles - 1920s rubber hose post - 366s.mp4 |
50,885,815 |
B6496C6E |
|
083. Loosen with a reversal - 256s.mp4 |
18,297,421 |
06C87403 |
|
084. Opposing actions - 256s.mp4 |
18,683,332 |
B11A4E3D |
|
085. Overlap - 279s.mp4 |
32,090,978 |
FAD353BD |
|
086. Follow through - 352s.mp4 |
17,056,495 |
BBD77165 |
|
087. Leading actions - 366s.mp4 |
16,201,807 |
5B73DBC5 |
|
088. Overlapping large characters - 320s.mp4 |
14,000,372 |
7DCA735C |
|
089. Drawings, frames, and exposures - 200s.mp4 |
7,281,779 |
FEECE215 |
|
090. From rough drawings to cleanup - 354s.mp4 |
12,088,356 |
8BC0E74F |
|
091. Cell painting to DIP - 401s.mp4 |
17,270,161 |
9798AC59 |
|
092. Color model - 228s.mp4 |
7,531,463 |
C8EBFF95 |
|
093. Tremor - 284s.mp4 |
11,215,035 |
B3CABE04 |
|
094. Shaky walk - 174s.mp4 |
7,931,060 |
0559C881 |
|
095. Camera shots - 324s.mp4 |
27,638,366 |
2BF9102D |
|
096. Strobing - 218s.mp4 |
18,762,356 |
60BDED9E |
|
097. Aspect ratios - 574s.mp4 |
19,329,678 |
CF8BF4F7 |
|
098. Looney Toons - Intro - 648s.mp4 |
28,648,707 |
771E9911 |
|
099. Looney Toons - Technical - 488s.mp4 |
24,504,120 |
D34F203E |
|
100. Looney Toons - Animation style - 500s.mp4 |
34,498,144 |
7357A247 |
|
101. Looney Toons - Walks and runs - 359s.mp4 |
26,530,142 |
592D2C7F |
|
102. Looney Toons - Scene - 428s.mp4 |
22,762,216 |
08775B82 |
|
103. Looney Toons - FX explosion - 305s.mp4 |
24,161,070 |
FCE6B2A9 |
|
104. Bouncing ball - 363s.mp4 |
13,897,074 |
246B528B |
|
105. Opposing action - Basic - 193s.mp4 |
10,886,028 |
FE5BF04D |
|
106. Opposing action - Intermediate - 236s.mp4 |
17,105,214 |
422D3EE2 |
|
107. Opposing action - Advanced - 197s.mp4 |
24,628,618 |
0A6FDF89 |
|
108. Counterpose - Basic - 251s.mp4 |
9,065,887 |
D4B6ABBF |
|
109. Counterpose - Advanced - 337s.mp4 |
21,478,065 |
AAA98EFD |
|
110. Overlap - Introduction - 129s.mp4 |
7,767,631 |
73944B16 |
|
111. Overlap - Advanced - 195s.mp4 |
13,635,414 |
49DAE06F |
|
112. Perspective - Introduction - 270s.mp4 |
13,409,532 |
ABA8C62D |
|
113. Perspective - Intermediate - 114s.mp4 |
3,972,718 |
F88F1DCE |
|
114. Plotting arcs - 183s.mp4 |
6,506,093 |
A32DCDA8 |
|
115. Figure 8s - 307s.mp4 |
10,881,456 |
03221E63 |
|
116. Types of shots - 284s.mp4 |
15,903,916 |
9F9BC8D3 |
|
117. Camera moves - 242s.mp4 |
24,885,592 |
B492A88A |
|
118. Shot transitions - 234s.mp4 |
25,040,216 |
C9E3F42E |
|
119. Staging - Introduction - 325s.mp4 |
19,427,331 |
95174DB8 |
|
120. Staging - Advanced - 395s.mp4 |
15,725,648 |
60D6741E |
|
121. Line of action - 196s.mp4 |
10,326,628 |
5B816212 |
|
122. Breaking a single joint - 118s.mp4 |
7,513,094 |
7101EDC9 |
|
123. Breaking joints in a walk cycle - 193s.mp4 |
12,816,692 |
F2835E2C |
|
124. Plotting arcs and timing in a walk - 209s.mp4 |
17,113,434 |
D70FE38F |
|
125. Exaggerating the face - 139s.mp4 |
4,433,580 |
220E965A |
|
126. Exaggerating the body - 104s.mp4 |
4,254,149 |
62651295 |
|
127. Exaggerating acting - 319s.mp4 |
21,009,559 |
FAFA25EE |
|
128. Anticipate and overshoot the head - 193s.mp4 |
8,557,629 |
445813B4 |
|
129. Primary, secondary, and tertiary actions - 250s.mp4 |
15,282,691 |
EFA16F99 |
|
130. Create personality with leading actions - 194s.mp4 |
14,403,076 |
9EE5C5C3 |
|
131. Squashing the face for chewiness - 188s.mp4 |
10,829,484 |
8CEEF052 |
|
132. Squashing bodies for animal runs - 176s.mp4 |
9,178,626 |
206A8591 |
|
133. Reversing the line of action - 135s.mp4 |
6,942,141 |
178E70B6 |
|
134. A stretchy jump - 273s.mp4 |
14,222,678 |
AE1DCB3B |
|
135. Introduction to anticipation - 166s.mp4 |
8,356,590 |
5354D169 |
|
136. Plotting character arcs - 237s.mp4 |
11,075,889 |
4A558788 |
|
137. Leading actions on walks - 89s.mp4 |
11,458,050 |
E9477296 |
|
138. Fast transitions - 162s.mp4 |
7,458,730 |
3F481163 |
|
139. Breaking down a turn - 167s.mp4 |
6,733,656 |
3E54350C |
|
140. Introduction to accents - 90s.mp4 |
3,966,296 |
5E0BBDEB |
|
141. Advanced stagger - 179s.mp4 |
12,757,105 |
A7CD10C9 |
|
142. Squash and stretch - 216s.mp4 |
10,709,338 |
A0B7B854 |
|
143. Examples of counterpose - 97s.mp4 |
5,062,917 |
7D97C797 |
|
144. Straight-ahead animation - 218s.mp4 |
9,591,979 |
C60331BF |
|
| Total size: |
2,137,321,715 |
|
|
